March 9, 2026

March 10, 2026

We continue to be committed to creating opportunities for all voices to be heard. With this in mind, we are thrilled to be producing our sixth annual Festival of Short Plays in partnership with AMT Theater, spotlighting stories written by people of color. Sponsored by Owen Charles, Marcus Felder, Yasmeen Mock, and Jonathan D’Agostino.

354 W 45th St, New York, NY 10036

AT AMT THEATER

FREE TICKETS

Join us for the staged readings of brave new work by emerging artists! In efforts to make theatre more accessible, we are thrilled to once again offer free tickets to Raise the Page, Uplift the Word: A BIPOC Festival of Short Plays. While the tickets are free, new work development is not. Please consider making a tax-deductible donation in support of the talented artists that make the festival possible—no contribution is too small and every dollar goes a long way in supporting the Off-Broadway theatre community!

The approximate run-time for each performance is 60 minutes, with a brief talkback to directly follow…more information coming soon!

Schedule of events

Day 1, March 9, 2026, at 7PM: featuring Our Lady of Luck by Joel Castillo, When LA Burns by Rena Patel, and The Soledad Brothers by Tara Blau Smollen 

Day 2, March 10, 2026 at 7PM: featuring Tongue in Cheek by Lucy Wang, Stump Worthy by Steven A. Butler Jr., and Unfuck Yourself by Amy Chen

Learn more about the playwrights!

ABOUT THE PLAYWRIGHTS

  • Steven A. Butler, Jr. is a decorated playwright, author, and multidisciplinary artist whose work centers Black interior lives, legacy, and emotional truth. A Maryland native, Butler has spent over twenty years as a professional artist, writing across stage, screen, and page. His catalogue includes the plays The Very Last Days of the First Colored Circus, Chocolate Covered Ants, and Stumpworthy, as well as the award-winning film Veils: Requiem for Trayvon. His work seeks to give voice to those historically denied space for vulnerability while honoring the quiet dignity of ancestral labor and sacrifice. Currently, Butler is developing an adaptation inspired by Thornton Wilder’s Our Town to tell the story of Oklahoma’s Greenwood District—Black Wall Street—during the 1920s. 

  • Joel Castillo is a theatre artist from Hialeah, FL. He earned a BA in Theatre Arts with a minor in Arts Education from the University of Miami in 2020 and currently serves as a Drama Teacher at Coral Reef Senior High, where he co-leads an award-winning theatre program of over 100 students. His favorite credits include directing and designing Mamma Mia! with the Seminole Theatre Players, winner of Broadway World Miami’s Best Musical Award (2021); playwright for Balloo(n) for City Theatre’s Summer Shorts: Homegrown Edition (2023); playwright for Rotting at Dixon Place Theatre in New York City as part of 938collective’s Short Play Festival (2024); and producer and director for one of South Florida’s first professional productions of The 24 Hour Plays (2025). Joel’s mission is to break down financial, racial, and systemic barriers so that everyone can experience the magic of theatre that changed his life.

  • Amy Chen (she/her) is a multidisciplinary theatre artist focused on performing and playwriting. Amy’s first play, Esther’s Play About Esther’s Play, was produced by the Equinox New Play Festival as a part of the The University of the Arts 2023 MainStage Season. This was followed by a self-produced staged reading of her second play, Y.F.S.G. (Finalist for 2025 Beacon Award), at Yellow Bicycle Theatre in 2024. Most recently, Theatre By Development (Philly Inquirer's Favorite Theatre Company of 2025) selected Amy's piece, Unfuck Yourself, to be a part of Clippings: A Short Play Festival. Amy holds a BFA in Musical Theatre from The University of the Arts with Playwriting mentorship from Savannah Reich. As a performer, Amy has performed at various Regional Theatres including Timber Lake Playhouse, Axelrod Performing Arts Center, Bristol Riverside Theatre, The Media Theatre, etc. Website: AmyLChen.com | New Play Exchange: https://newplayexchange.org/users/98274/amy-chen | Instagram: @amychfn.

  • Rena Patel is a South Asian American writer and producer based in Los Angeles whose work spans the page, stage, and screen. She was a writer on Peacock’s The Warehouse Phase and the upcoming feature Now & Then, a Finalist for the Indian Film Festival of Los Angeles’ Launchpad Pitch Competition (2025). Her romantic comedy play Pyar Aur Coffee was a Finalist in the 46th Bay Area Playwrights Festival and premiered at the Long Beach Shakespeare Company’s New Works Festival in 2024 to a sold-out run. Her fiction and poetry appear in Sunflower Station Press, The Heduan Review, and Sanctuaries Anthology. She is part of the creative team at Bootleg Universe Media Group/Shankar Animation, developing cutting-edge storytelling for the screen. Previously, she served as Executive Director of Imaginarium Theatre Company, producing new works in New York. Rena holds a B.A. from Scripps College and a J.D. from Loyola Law School.

  • Tara Blau Smollen is a playwright, actor and director, whose work reexamines the Western theatrical canon through a BIPOC lens. Her plays include The Gull, an African American reimagining of Chekhov’s The Seagull, which was named a finalist for the 2026 Stanley Drama Award, the 2025 Kaplan Playwriting Award, and the 2025 New Works of Merit Playwriting Award. Her play Sisters, a reimagining of Chekhov’s Three Sisters, was a finalist for Lifeline Theatre’s BIPOC Adaptation Workshop 2024 and a semifinalist for the O’Neill Playwrights Conference 2025. Tara was a co-founder and Artistic Director of Porchlight Theater Company in Ross, California, and has directed at numerous theaters throughout the San Francisco Bay Area. She holds an MFA in Acting from the National Theater Conservatory and is a member of the Playwrights’ Lab and the Pear Playwrights’ Guild.

  • Lucy Wang (she/her) is an award-winning multi-genre writer, playwright, performer, and educator whose body of work spans plays, screenplays, journalism, poetry, prose, and performance. She blends humor, justice, and heart. She has sold a TV pilot, written & directed a short film, performed solo shows to sold-out audiences, and mentors emerging voices. Her papers are archived at the Huntington Library and UC Santa Barbara.

ABOUT THE PLAYS

  • Stump Worthy by Steven A. Butler, Jr. is a choreopoem honoring the legacy of Black men whose lives were shaped by labor, silence, and sacrifice. Through poetry and movement, the work carries the burdens, fears, and quiet joys passed down from grandfathers who rose before dawn, lived with dignity, and earned a life worthy of the stump.  

  • At Our Lady of Mary All-Girls Catholic School, there is only one God that is worshipped above all: Reina Maria, the school's 13-year-old gang boss. She and her mob of misfit girls run the school and an illegal crap game in the stairwell that makes Vegas look like a playground. But when they get caught by one of the head nuns, they must decide whether to pray for a miracle or leave their fate to the roll of the dice.

  •  Laine, Frances, and Celly are enjoying a quiet night in complete with smoking, chatting, and hating Frances' neighbor. This comes to a fast halt when they realize the fourth member of their quartet, Vee, has been arrested and put in jail. With no clue how or why Vee is in jail, they must sober up, make a plan, and most importantly, figure out what the President of The United States of America has to do with all this.

  • As the Santa Ana winds sweep through Los Angeles, Sapna, a disheartened writer, and Sam, a rising actor, grapple with identity, ambition, and the cost of resilience, revealing the fragile line between chasing dreams and succumbing to reality in a city ablaze with contradictions.

  • The Soledad Brothers is a short play inspired by the true events of August 7, 1970, when Jonathan Jackson attempted to free the imprisoned Soledad Brothers from the Marin County Civic Center. Told from the standpoints of three witnesses—a Pulitzer-nominated photojournalist, a mother, and a young man drawn toward violence—the play explores the line between witness and participant as history unfolds in real time. The play asks whose story is told when the images of a revolution are captured through a mother’s eyes.

  • At the quirky Tongue In Cheek Gift Shop, words are bought, sold, and sometimes outlawed. When Lenny, a blocked poet, walks in searching for “inspiration,” George, the eccentric shopkeeper, leads him down aisles of forgotten phrases, forbidden verses, and dangerous truths. Together, they discover that some words can still start revolutions—and laughter.

FAQ

  • AMT Theater: 354 W 45th St, New York, NY 10036

  • March 9, 2026 at 7PM & March 10, 2026 at 7PM. Please see which plays will take place on which night by viewing the schedule of events.

  • Each day of the festival will be approximately 60 minutes, with a short talkback directly following. Talkbacks to be announced soon!

  • Join us in supporting brave new work with Abingdon Theatre Company! Please contact kbell@abingdontheatre.org with any sponsorship inquiries.

Support Brave New Work & EMERGING ARTISTS

In efforts to make theatre accessible for all, tickets to Raise the Page, Uplift the Word: A BIPOC Festival of Short Plays will be free to the public. With supporters like you, we can share brave new work to all audiences and uplift the voices of BIPOC artists. Consider making a tax-deductible gift today and join us in celebrating brave new work and emerging artists. Further ticket information to be available at a later date.

AMT THeater